Filed under: Music | Tags: Barsuk Records, cobirds unite, Josh Rosenfeld, Rachel Flotard, shabazz palaces, SXSW 2011, the head and the heart, Visqueen
Alas, the week-long cultural cornucopia that is SXSW has come to an end. But fear not festival revelers: Thanks to the interwebs/media machine, this year’s conference lives on—and the musical presence of Seattle artists still lingers. The LA Times’ Pop & Hiss list of the “Artists, Quotes and Fights That Made an Impression” at SXSW 2011 includes a “hearty” mention of local indie-rockers The Head and the Heart (HATH) : “[This] band appears to be the real deal [….Theirs] is detail-oriented roots music, with violin-led slow-burners and harder-edged songs that shake like horses on a stampede.” The article also cites festival insights from Barsuk Records chief Josh Rosenfeld and Visqueen/Cobirds Unite’s Rachel Flotard. NPR sings the praises of HATH as well, in a SXSW retrospective that touts Seattle hip-hop troupe Shabazz Palaces to boot. Music critic Jon Pareles similarly opines on the laptop-fueled “electronic abstractions” of Shabazz in a New York Times featurethat explores SXSW’s critical mass and evolving interactive platforms. Finally, The Seattle Times’ Andrew Matson wraps up his local blog coverage of the fest with plenty of performance reviews, photos and videos not to mention the requisite SXSW taco-stand adulation. Check it all out for yourself via the links above.
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