Filed under: Music | Tags: fan-based communities, macklemore, Music, seattle, the heist
There aren’t many stories quite like Macklemore’s. The Seattle-born rapper has been making music for 12 years, but it was earlier in 2012, upon his debut release “Heist” (with Ryan Lewis), when he shot to mainstream fame. Just hours after “Heist” dropped it had secured the #1 spot on the iTunes Album Chart, before entering in at #2 on US Billboard 200. But even before these successes, the pair had sold out 18 of 27 shows on tour across the US and UK. No label, just pure fan support. Every single artist starting out wants a large and widespread audience, to be able to roll up to a venue and play to a packed crowd, but where exactly to start is the million-dollar question. Fan communities sprout in the hometown of an artist whereby it is sustained as the artist grows, acting as a hub for an artists most active and loyal fans, aka: the backbone of your career. Servicing this local community well involves a combination of delivering content to speak to them with grassroots PR. This is where Macklemore got it so right. He branded himself as the poster-boy for Seattle Hip Hop and leveraged that fiery North West pride.